Grumpy in New Orleans

Sober in New Orleans
(link to the full article on best of new orleans.com)
Jules Bentley on what it’s like living the dry life in Alcohol City

“New Orleans is a great place to drink. You’ll have adventures, you’ll be surrounded by witty, sexy people, and if you’re feeling reckless, the rabbit holes here go so deep that if a pebble or a person gets tossed in one, he or she won’t be heard hitting bottom for years. New Orleans has the best bars in North America; it’s no wonder the city draws thirsty cats from all over looking for a comfortably cool porch under which to finish dying.”

Yow! “Thirsty cats from all over looking for a…porch under which to finish dying.” That is some fine drama AND hyperbole.

“I’d always considered people who didn’t drink to be psychological cripples, at best uptight or constitutionally weak, at worst deliberately dull: individuals so afraid of themselves they cut themselves off from pleasure, limiting their palette to life’s beiges and grays. Five years sober, I find that assessment to have been accurate.”

And, oh man, that IS a dismal assessment, which I don’t really find borne out by my own experiments with sobriety.

“Identifying what triggers your cravings is a crucial piece of sobriety. To the degree that anything in my indolent lifestyle resembles work, being actively engaged in some activity, paid or otherwise, gives the desire to drink less space in my consciousness β€” but then, I don’t work in our city’s exploitative service industry.”

I would say, “Letting go of what triggers your cravings is a crucial piece of sobriety.”

“Without the armor of alcohol, I am histrionically sensitive to bad art. Lazy or uninterestingly inarticulate art, art that comes from a place of complacency, psyschologically dishonest art β€” all are intensely triggering for me. This makes post-Katrina New Orleans a minefield; I avoid St. Claude on gallery night.”

The author’s amusing grumpiness aside, there are some good quotes in the article.

“You’re around a lot of people with drinking problems β€” immersed in the tragedy of it,” he said. The presence of multiple Ghosts of Christmas Future has a deterrent effect. “With so many far-gone drinkers all around you, you’re like ‘Oh, right, that’s what I’d look like if I was drinking. Or that. Or that. Or that in a year or two.’ You have access to all the booze in the world, so it’s not as interesting.”

Heh. Word. No matter which side of the bar those ghosts are on.

Anyway, I’ll finish with this quote.

I spoke with Alex, a sober friend who works in investment and keeps a busy calendar of high-end, relatively exclusive Uptown social events. I was curious whether he felt being sober held him back socially or professionally. “Ninety-nine percent of the time it’s a non-issue,” he told me. “Most people really don’t care what’s in your cup, as long as you’re holding one.” To the contrary, he finds sobriety gives him an edge. “If I had two drinks, I would probably have 14, regardless of the situation. Even at an event where I should have been paying attention to the people around me, to get their business, I would get too drunk and forget their names. So I think it’s actually helped me in social situations that I’m sober.”

The Playlist Dilemma

Lately, I have almost become more obsessed with creating the ultimate playlist for our restaurant, than I have with cocktail recipes.

Some points:

  1. Almost all restaurants (and bars) have some sort of background music.
  2. The music has two audiences, primarily those who dine in the restaurant, but also those who work in the restaurant.

To the first point, the selection of music is important for the mood and feel of the restaurant. The management typically makes the call on what sort of music they want to hear in their restaurant.

A lot of restaurants these days are choosing to leave this choice to services like Muzak or Pandora.

As a music nerd, I prefer, and hope, that someone in the restaurant has enough vested interest that they have gone to the trouble to choose the music. One of my pet peeves is when you hear an awesome song in a restaurant, ask a server what it is, and they say, “I dunno, it’s the Morrisey Pandora Station.”

Or even worse, when you hear an awful song you never wanted to hear again in your life, and they say, “Eh, it’s the Flock of Seagulls Pandora Station, sorry about that.”

The question is, “How do you please the management, the staff, and the customers?”